![]() ![]() Ornamental scallops and borders, illuminated letters, and precision handwriting inspire wonder. Medieval manuscripts awaken awe within the viewer. 17, 18).A leaf fragment from a medieval missal, Loyola University Chicago. Ingeborg Bahr, 'Ein unterwarteter Fund: Acht Blatter eines illustrierten Codex des Decretum Gratiani in Dusseldorf', Wallraf-Richartz Jahrbuch, 82 (2021), 7-47 (pp. 7.Īlison Stones, Gothic Manuscripts, 1260-1320 4 vols (London: Harvey Miller, 2014), I.1: pp. by Maria Alessandra Bilotta (Paris: Somogy, 2012) ,pp. Anatomie d'un chef-d'oeuvre du XIVe siècle, ed. 79, 81, figs 25, 32).Īlison Stones, 'Les dominicains et la production manuscrits à Toulouse aux environs de 1300,' in Le Parement d'autel des Cordeliers de Toulouse. by Sophie Cassagnes-Brouquet and Michelle Fournie´ (Toulouse: CNRS-Universite´ de Toulouse-Le Mirail, 2010), pp. Maria Alessandra Bilotta, 'Nouvelles conside´rations sur un manuscrit toulousain du De´cret de Gratien reconstitue´' in Le livre dans la re´gion toulousaine et ailleurs au moyen a^ge, ed. by Anne-Marie Legaré (Turnhout, Belgium, 2007), pp. 164.Īlison Stones, 'Some Portraits of Women in Their Books, Late Thirteenth - Early Fourteenth Century', in Livres et lectures de femmes en Europe entre Moyen Âge et Renaissance, ed. Paul Binski, Becket’s Crown: Art and Imagination in Gothic England 1170-1300 (New Haven: Yale University Press, 2004), pl. Mahul, Cartulaire et archives des communes de l'ancien diocese et de l'arrondissement administratif de Carcassonnne, II, (Carcassonne, 1859), pp. Y1040 others are Brussels: Bibliothèque Royale Ms 9157 and Verona: Biblioteca Capitolare MS CXCIV (see Bilotta, 'Nouvelles conside´rations', 2010).Ī. 6269/192 and Princeton: University Art Museum, inv. They are from the same group or artists who worked on copies of the Decretals of Gratian made in the Toulouse area, including a manuscript reconstituted from fragments in Paris: Musée Marmottan, Collection Wildenstein, Inv. 130v-131 (according to Stones, Gothic Manuscripts (2014). The illuminations are by 3 artists, one who worked on ff. Paris: Bibliothèque nationale de France, ms lat. One of only two surviving manuscripts made for the abbey of Lagrasse. Bought from him by the British Museum on 3rd July 1847. William Maskell, his name inscribed and a bookplate on f. The arms of France on the upper and lower bindings, with shields, surmounted by a ducal coronet, in the four corners. 2r: 'Ex Libris illustrisimi Domini Domini Hiacinthi de Serroni Episcopi Mimatensis'. 1661 to 1676), his ownership inscription on f. Hyacinthe de Serroni, Bishop of Mende, in Lozère, southern France (r. ![]() Crasse.' (as identified by Elisabeth Declerq, see Stones, Gothic Manuscripts (2014), part 2.I). 1, 9v, 13, 20, 24, 95v, 187v, 206v) made for the chapel of St Barthelemy, constructed between 12 in the abbot's residence at the Benedictine abbey of Sainte Marie de Lagrasse in the Aude region: on the calendar page for September is the following entry, 'Dedicato eccle bte Me. 1279-1308), his shield of arms (party per saltire, argent (white) and gules (pink), a bordure gobonny, of the same) inside initials or in the margins on numerous folios (e.g., ff. Old morocco binding, with gold tooling of the arms of France and four shields, surmounted by a ducal coronets, in the corners.Ībbe´ Augier de Cogeux (r. 207 + 2 unfoliated paper flyleaves at the beginning and 2 at the end). 208 (+ 2 unfoliated parchment leaves following f. Numerous small initials in gold on blue or rose grounds.Ģ80 x 200 (190 x 135), written in two columnsįf. Framed initials on diaper or foliate grounds with foliate pen-flourishing, in colours with gold, some incorporating shields of arms (e.g., f. Historiated initials with partial borders with animals and hybrid creatures, in colours with gold at the beginning of major feasts. A full border with historiated and decorated initials, incorporating angels, a knight on horseback and animalsat the beginning of the Temporal (f. Two full-page miniatures in colours on gold and diaper grounds, with full decorated frames, incorporating four roundels at the corners (ff.130v-131). (Provence, between Toulouse and Narbonne)Ĥth quarter of the 13th century or 1st quarter of the 14th century ![]() Roman Missal, of the use of Grasse ('Missal of 'Augier de Cogeux')įrance, S.
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